Prologue

PROLOGUE

You think you know who the killer is.

It's obvious, you say. You knew it from the first chapter. The first paragraph. The first sentence. The first letter .

But you are wrong. There is nothing obvious about the identity of this antagonist. I have used red herring after red herring, woven in false identities and unreliable narrators, and fabricated evidence. At least three people who you thought were dead are actually alive.

There is no possible way you could know the truth. There's no way you could ever guess that the killer is actually Steve.

Wait. Oh, crap.

Ugh. Well, nobody reads the prologue anyway.