Chapter 1

I am the one degree. I am the familiar link. I am the tiny line that separates everyone I know from someone else, the connection that makes a fun fact slightly more interesting than all the others shared during a forced get-to-know-you group activity, the thing that makes someone finally tune in, perk up, say, "No. What? Really?" I am the second someone. Not the first mentioned when an acquaintance says, "Well, actually, I do kind of know someone famous—well, someone who knows someone famous." I am what comes after the part that matters.

I'm more than just that, of course. I know that. I can still name the qualities I know to be true about myself in the way that a former therapist suggested: I am a good friend. A truly top-notch giver of gifts. A person who asks "How are you?" and means it, who can physically feel when there's an undercurrent of shame or sadness moving through someone I love. I am a hard worker. A problem solver. More likely to get shit done than to complain about it. I am a seeker of beauty. I can see loveliness and humor in almost anything or anyone that isn't me. I do it automatically, unconsciously. I am always pointing and laughing. Isn't it funny? Isn't it gorgeous? But then there's everything else, the things I know to be just as true, that would make my former therapist slowly nod and close her eyes, as if she's heard all of this before (she has) and say, "Remember how we talked about being nicer to ourselves, Hazel?" I always imagined her eyes were rolling under her lids. I'd try to track their movement, but I'd never know for sure.

It didn't really matter, though, because niceness doesn't have anything to do with the truth. And the truth is that I am suspicious of most everyone I meet, distrusting and awkward. And I am stubborn. Not headstrong, or willful, or brave. I am the kind of stubborn that means I've held on to every slight, every hurt, every worst quality that I should have grown out of and let fall away from me years ago. I'm all of that, too.

But I am my sister's sister first. And mostly, I've learned to be okay with that. Mostly, I know the alternative is not much better.

There were years when it bothered me, of course. Huge swaths of my early twenties when the last thing I wanted to hear from a new friend was that they feel like they know my younger sister, that they've been following her since they first downloaded Instagram in college, or that she was the reason they started doing that one eyeliner trick that makes you look more awake, like you've gotten a full night of sleep. I always wanted to say, "Don't you mean more like her?" but I never did. Because it didn't really matter. Once they knew, once they confirmed that Evie Davis was my sister, I was something else to them already.

My sister would be the first to tell you that she isn't for everyone, though. It's what she's been saying for years in response to nasty messages, or particularly cruel comments. "No one's for everyone," she'll say, and shrug, seeming wise beyond her years, as if that explains a stranger leaving a vomiting emoji in response to her posting a selfie, or a direct message that just contains the copied-and-pasted Merriam-Webster definition of the word slut. I know she's right, of course. That it would be impossible for everyone to approve of her. I've remembered it a thousand times when I've zoomed out and tried to see her internet presence, her brand, in the same way that any stranger would on any given day. An ad for an antiaging moisturizer that features a close-up of her poreless eighteen-year-old skin. A photo where the tiniest ripple of fat inches over the top of her low-rise leggings. A caption about how you're beautiful just as you are. I've seen the daily story slides of Amazon finds, or cute dresses under $50, or "must-have" designer dupes. A lot of times, I'm tempted to hit BUY instantly, too. Sometimes I do. Other times, I do the rough math. I consider the single item she's shared and all the tens of thousands of people who will then buy it because of her, the subsection of those people who will share that item again, bolstered by the reassurance that they're endorsing something that Evie Davis loves, too. I've pictured hundreds of Evie Davis–specific landfills populating the earth. But then I circle back around. No one forced any of them to buy those things, right? No one forced any of them to follow her either. To stick around. No one's for everyone, after all.

And if I'm being honest, the fact that Evie Davis is my sister has been everyone else's fun fact almost as often as it's been mine. I sometimes love the extra surge of attention that people pay me when I explain that yes, she is ten years younger than me with a different face and a different body and a vastly different life, but we're sisters all the same. I liked knowing that everyone I met thought they knew her, but it was only me who actually did. It's why I have to bite my tongue when someone says something like, "So how much does an eighteen-year-old lifestyle content creator make, anyway?" They'll laugh, say something about how their most aspirational lifestyle content as a teenager would be the time they snuck out for a party or smoked weed in the school bathroom. I'll laugh along with them, say something like, "Yeah, same. She and I really couldn't be more different." They'll smile and nod, raise their eyebrows as they look me up and down as if to say, yeah, you're sure right about that. It always stings, but at least I know. "But she's incredible at what she does," I'll add, careful to sound both proud and protective. How big sisters should be. But that's not why I watch out for her, not really. Mostly, I protect her because I know how she got here. I've seen exactly what it takes to grow up under a microscope that you never asked for, to put a camera on that microscope, to monetize it into oblivion.

"A microscope isn't so bad if it's only pointing out the good stuff, Hazel," our mom used to say to me in high school when I'd explain why, exactly, I didn't want to be on camera in the same way Evie seemed so happy to be. I could practically hear my mom's eyes roll through my bedroom wall as I sat there, knees drawn toward my chest, back flat against the door to keep it shut. To keep everyone else out. "Suit yourself, honey. Just don't say I never asked you. These brands might only want your sister, but I'm out there fighting for you, okay? For all of us. We aren't excluding you. The option is always there for you, too. I make sure the option is always, always there, no matter what. I'd make it happen."

Even before the viral video happened, before everything, my parents were always filming, snapping photos, reminding me again and again that this was for all of us. They were obsessed with documenting our life as a family of three via posts on a basic WordPress blog, then Facebook, then YouTube, and I rarely wanted anything to do with any of it. "People want to see your face, Haze," my mom would explain when I'd grumble about her filming again, hiding myself behind a pillow. She always said this, that people wanted to see my face. I always got the feeling that she assumed I was insecure about how I looked, that that was the reason I was so camera shy. I knew I had acne. Hair that always seemed to be too frizzy or too greasy or, somehow, both. But that wasn't the reason I was camera shy. In fact, it was her constant reassurance that first made me think that maybe I wasn't physically cut out for the spotlight.

But she'd give other reasons, too. "People want to see our house! Our life! Our beautiful family. You should be flattered, baby. It's simple, really: people watch us because we have something they don't. Isn't that so special?" I never felt particularly special, not really, but I knew what she was saying had an edge of truth to it. I had heard from enough friends at school that our life was indeed cool—that our house, a converted school bus, was amazing. And I agreed with them. I loved the bus, and the cross-country road trips it brought us on every summer and winter break, with stops from Disneyland to Acadia National Park and most landmarks in between. I loved the reading nook my dad built me in the back, the tiny cubby that was just big enough for me, the way it was surrounded by shelves, complete with tiny built-in straps for keeping the books secure while we were on the road. I loved the bus's strange and comforting groans and creaks. Its mint-green exterior. The way that our home was always with us, no matter where we were. People like to say now that my parents were the first real family vloggers, the first to feature a child growing up on camera in real time. But in a way, they were early to it all. The school bus. The filming. The money.

But as much as my mom liked to remind me that people were invested in the three of us and, eventually, my baby sister, too, the first few years of posting brought few followers, and even fewer who weren't curious friends or family. The Davis Family Scrapbook, as the blog (then the YouTube channel) was named, looked more like a family photo album than some sort of money-making machine. You can still scroll back through their blog and YouTube archives and find those early posts. Photos of my twelfth birthday party on the bus and our tiny Christmas tree, a miniature replica of our green bus in place of a star. Even my mom's pregnancy announcement with Evie is still there, complete with one thousand words about just how long she and my dad had been trying for another baby, how hard it'd been, how sad, how after five years of accepting that another child just wasn't in the cards it was finally happening. Everything was changing. It was a miracle. A complete family. Finally.

People have asked me sometimes why I didn't push back then, take a stand. Set a hard limit. But I wasn't thinking about boundaries then. About agency. About the fact that I had told them no to filming, to photos, to posting them, again and again, and they had brushed me off. I wasn't concerned about my identity one day being stolen or a far-off stranger on the internet seeing a photo of me as a naked toddler in a bathtub. I was more concerned with the more realistic, more present fear that haunted me daily: that even one person I knew in real life would see them. So I fought smaller battles, begging my mom to delete the picture and corresponding blog post about the day I finally got my braces off. I hated that photo. Me standing next to a six-foot-tall papier-maché tooth, beaming like it's the best day of my life, and the caption reading, "Hazel's big day!" I couldn't imagine anything worse than that. Not yet.

Five years after Evie was born, there was the video. Evie and my dad, rehearsing for Evie's first big recital on the tiny patch of grass that made up our front yard. My dad coaching her through every single step, reminding her of the transitions, the movements. My mom laughing from behind the camera and saying, "Chris, did you memorize, like, this whole thing?" Then him joining Evie, taking it from the top, the two of them dancing in sync, alternating between looking gravely serious and then giggling their way through it all.

"I told her she could just look at me during the recital if she forgot something," my dad says with a shrug at the end of the performance. "It was fun." I was fifteen then, and grateful (as I always was) to let Evie take center stage while I hung back, careful to stay out of the camera's frame. I smiled at my sister's tiny buns perched on either side of her head, ever so slightly crooked. I rolled my eyes at most things then, but this? This was adorable. All of it. Part of me wonders if the video would have gone viral anyway, even if it hadn't turned into some kind of sick trauma porn, something that people talk about over lunch and say, "God, have you ever seen anything so sad? That poor girl."

Realistically, there were probably a million different factors that made the video explode in the particular kind of way that things did then, little bits of it landing everywhere, coloring our lives. In those days, it wasn't a question of if someone had seen that video that everyone was talking about, but an expectation. It was the era of the internet when a viral video, no matter how mundane, garnered you a daytime television interview almost immediately. Even without the cameras, the video, everything that happened as a result, that year would have been the hardest of my life. I knew I should have been grieving. I knew I should have been trying to process that I was fifteen and my dad was suddenly gone. That he was there one minute, spinning in front of me, alive and whole, and then he was somewhere else.

I sometimes wonder if strangers would be as protective of Evie as I am if they took a minute to remember. To trace backward from where she is now, to remember that she is that little girl from the video, that little girl who lost her dad when she was only five. I wonder if this would make people understand or empathize with her more. Not pity her, but rather consider each horrible stepping stone like I do, chart the ways that that kind of loss might change someone.

But aside from the most die-hard Evie fans, the ones who are as dedicated as they are unsettling, most people don't want to do this. To them, Evie is whatever they see on their phones on any given day. Her story holds so much less power than what she is today, than her privilege and her platform. They're more likely to ask me about who she's dating. "Is she really with that Gavin kid? The one who used to date that girl on the Netflix show? Or was it the singer?" they'll ask. I'll shrug and say yes, that's true (and he dated both). Yes, he sucks, but, you know…hasn't everyone dated someone horrible? I mean, does anyone remember that guy I dated during junior year? We've all been there. I try to find the common thread that reminds them that she's real.

Still, I wait for people to bring it up. To ask me about the one thing that Evie and I do have in common, that they could google and know about immediately. What's it like to lose your dad? To have him there one minute and gone the next? To see his death become the starting point of a big, important life instead of the end of everything you knew? Those questions rarely come, though. Instead, people always seem to work up the courage to ask about money, if the rumors are true about exactly how much Evie makes from an Instagram post or a sponsored TikTok. I can pivot easily by now, change the subject. Nothing good ever comes from knowing those exact numbers, not even within our family.

Part of protecting my sister has always meant staying under the radar myself—being the one person who can love her without trying to auction off a piece of her, too. It was the same when I was sixteen and she was six, and it's the same now, twelve years later, when our lives couldn't be more different. In so many ways, I'm in the exact same place I've always been. Stuck. And she's, well, she's—

"Ma'am." A voice cuts through the thought, shaking me. "Can you repeat your name for the record? And state your relationship to Evelyn Davis? A little louder this time, please."

"I'm her sister," I say again, my voice sounding flatter than I intended, the important part coming out first. "Hazel Davis."

"And can you tell us the last time you spoke to your sister?" the man says.

I open my mouth, imagining the answer will fall out easily, but the words don't come.

When was the last time we spoke?

"And where were you," the voice presses, "on the day she disappeared?"