92
With Vince Canker and Roy Yessman, Lucas Blackridge searched the house, bottom to top, though there was no point to it. The gas had been introduced at such high velocity, with so many pounds of pressure behind it, that no one could have had time to flee the kitchen other than with a key that gave him access to the Everett Highways. Besides, there would have been no refuge upstairs, where the gas would have penetrated every corner at most four seconds after the ground-floor rooms were flooded.
He suspected Falkirk just wanted a few minutes alone with the unconscious woman because she was something of a looker. Blackridge knew his boss to be an arrogant ass, knew he hated women in general and pretty women in particular, and suspected him of being a pervert who liked to inflict pain on them. An unconscious woman wouldn't give Falkirk the pleasure of a response to what torment he visited on her body. But maybe he intended to do the damage while she slept and have the gratification of her agony when she woke.
Blackridge had often considered arranging a fatal accident for Falkirk, with an eye toward perhaps moving into his position after the memorial service. However, the sonofabitch was well connected, and getting away with a disguised assassination would not be easy. In his present position with this cockamamie project, he was paid four times what he would have received anywhere else, and he didn't want to wind up back in a civilian police department working more for the pension than for the salary.
They gave the creep ten minutes with the Coltrane woman and speculated among themselves what atrocity he might commit with her.
At the back of the house, as they were ready to turn around and go downstairs, Vince Canker decided he needed to take a piss, and he went into the upstairs hall bath to relieve himself. The urge was apparently communicable, because Yessman decided to wait for his turn in the facilities.
Blackridge continued toward the front of the house. As he drew near the stairs, he heard a sudden insufflation of air. There were no open windows on the second floor, and the sound, though muffled, seemed akin to the whoosh that always accompanied transit between timelines. He thought it might have come from beyond the open door to his left.
At the back of the house, Canker and Yessman laughed, being the type who found nothing funnier than bathroom humor.
Blackridge called out, "Canker, Yessman—here, now!"
He hurried into the master bedroom, drawing his pistol as he crossed the threshold, and there was Jeffrey Coltrane, incoming from elsewhere. On arrival, he must have lurched into this timeline and stumbled, which sometimes happened. Having dropped his weapon, he was bending down to retrieve it.
Blackridge said, "Don't touch it."