It’s Mallory Atkinson’s first Christmas in Scotland. Victorian Scotland, that is. Also, as the twenty-first-century detective learns, Christmas really isn’t a thing in Victorian Scotland. It’s all about Hogmanay. But her boss, Dr. Duncan Gray, treats her to an early gift of tickets to the event of the season: a Charles Dickens reading. There, they bump into Lady Inglis—the lovely widow who has sent Gray sexy letters trying to entice him back to her bed.

Lady Inglis introduces Mallory to Dickens—the meeting of a lifetime—but in return she wants their help. She’s being blackmailed. Someone stole letters she wrote to another lover and is threatening to publish them.

Mallory isn’t sure what to make of Lady Inglis, but no woman deserves that, so she insists on taking the case with or without Gray’s help. Growing tension between them soon tells Mallory that Gray is hiding a secret of his own. She has until Hogmanay to uncover the blackmailer…and, hopefully, to put things right with Gray so they can enjoy the holiday together.

Note this is not a full-length novel. Its a novella set after Disturbing the Dead.

It’s Mallory Atkinson’s first Christmas in Scotland. Victorian Scotland, that is. Also, as the twenty-first-century detective learns, Christmas really isn’t a thing in Victorian Scotland. It’s all about Hogmanay. But her boss, Dr. Duncan Gray, treats her to an early gift of tickets to the event of the season: a Charles Dickens reading. There, they bump into Lady Inglis—the lovely widow who has sent Gray sexy letters trying to entice him back to her bed.

Lady Inglis introduces Mallory to Dickens—the meeting of a lifetime—but in return she wants their help. She’s being blackmailed. Someone stole letters she wrote to another lover and is threatening to publish them.

Mallory isn’t sure what to make of Lady Inglis, but no woman deserves that, so she insists on taking the case with or without Gray’s help. Growing tension between them soon tells Mallory that Gray is hiding a secret of his own. She has until Hogmanay to uncover the blackmailer…and, hopefully, to put things right with Gray so they can enjoy the holiday together.

Note this is not a full-length novel. Its a novella set after Disturbing the Dead.

Nicola Laughton never expected to see adulthood, being diagnosed with Cystic Fibrosis as a child. Then medical advances let her live into her thirties and she met Anton, who taught her to dream of a future… together. Months after they married, Anton died in a horrible car crash, but lived long enough to utter five words to her, “I'll be waiting for you.”

That final private moment became public when someone from the crash scene took it to the press—the terminally ill woman holding her dying husband as he promised to wait for her on the other side. Worse, that person claimed it wasn't Anton who said the words but his ghost, hovering over his body.

Since their story went public, Nicola has been hounded by spiritualists promising closure. In the hopes of stopping her downward spiral, friends and family find a reputable medium—a professor of parapsychology. For the séance, they rent the Lake Erie beach house that Anton's family once owned.

The medium barely has time to begin his work before things start happening. Locked doors mysteriously open. Clouds of insects engulf the house. Nicola hears footsteps and voices and the creak of an old dumbwaiter…in an empty shaft. Throughout it all she's haunted by nightmares of her past. Because, unbeknownst to the others, this isn't her first time contacting the dead. And Nicola isn't her real name.

That's when she finds the first body.

In this atmospheric, thrilling new ghost story, Kelley Armstrongs full talents are on display to thrill, chill and leave the reader guessing how Nicola escapes with her lifeif she can.

Disturbing the Dead is the latest in a unique series with one foot in the 1860s and the other in the present day. The Rip Through Time crime novels are a genre-blending, atmospheric romp from New York Times bestselling author Kelley Armstrong.

Victorian Scotland is becoming less strange to modern-day homicide detective Mallory Atkinson. Though inhabiting someone else's body will always be unsettling, even if her employers know that she's not actually housemaid Catriona Mitchell, ever since the night both of them were attacked in the same dark alley 150 years apart. Mallory likes her job as assistant to undertaker/medical examiner Dr. Duncan Gray, and is developing true friends—and feelings—in this century.

So, understanding the Victorian fascination with death, Mallory isn't that surprised when she and her friends are invited to a mummy unwrapping at the home of Sir Alastair Christie. When their host is missing when it comes time to unwrap the mummy, Gray and Mallory are asked to step in. And upon closer inspection, it's not a mummy they've unwrapped, but a much more modern body.

A standalone horror novel from #1 bestselling author Kelley Armstrong.

Laney Kilpatrick has been renting her vacation home to strangers. The invasion of privacy gives her panic attacks, but it's the only way she can keep her beloved Hemlock Island, the only thing she owns after a pandemic-fueled divorce. But broken belongings and campfires that nearly burn down the house have escalated to bloody bones, hex circles, and now, terrified renters who've fled after finding blood and nail marks all over the guest room closet, as though someone tried to claw their way out…and failed. When Laney shows up to investigate with her teenaged niece in tow, she discovers that her ex, Kit, has also been informed and is there with Jayla, his sister and her former best friend. Then Sadie, another old high school friend, charters over with her brother, who's now a cop. There are tensions and secrets, whispers in the woods, and before long, the discovery of a hand poking up from the earth. Then the body that goes with it… But by that time, someone has taken off with their one and only means off the island, and they're trapped with someone—or something—that doesn't want them leaving the island alive.

#1 bestselling author Kelley Armstrong delivers a fun romantic comedy about a woman writing under a male pseudonym and the man she hires to play the role in public.

Daphne McFadden already knows that as a female author, the cards are stacked against her. Now she knows just how much. Because her sudden whim to pose as an “outdoorsy hunk of masculinity” male author for her new book just resulted in the unthinkable: a bidding war, a huge book deal, and the kind of fame every author dreams of. Now she's in big trouble. Because she needs to convince the world that Zane Remington actually exists . . . but how?

By hiring an actor, of course.

Only Chris Stanton is not an actor—not officially. He's used to balancing the books, not pretending he wrote one. Still, he's mostly certain he can pose as some overly macho bro-author. But when the media descend on Daphne's gorgeous remote home in the Yukon, it's not enough for Chris to just be the face of Zane Remington—he'll have to become him. All while hilariously balancing the terrifying dangers of the wilderness, a massive femme fandom, and a serious crush on Daphne. But as the hype circus gets more out of control, it's just a matter of time before someone discovers their little write lie . . .