Frank Szatowski is shocked when his daughter, Maggie, calls him for the first time in three years. He was convinced that their estrangement would become permanent. He's even more surprised when she invites him to her upcoming wedding in New Hampshire. Frank is ecstatic, and determined to finally make things right.

He arrives to find that the wedding is at a private estate—very secluded, very luxurious, very much out of his league. It seems that Maggie failed to mention that she's marrying Aidan Gardner, the son of a famous tech billionaire. Feeling desperately out of place, Frank focuses on reconnecting with Maggie and getting to know her new family. But it's difficult: Aidan is withdrawn and evasive; Maggie doesn't seem to have time for him; and he finds that the locals are disturbingly hostile to the Gardners. Frank needs to know more about this family his daughter is marrying into, but if he pushes too hard, he could lose Maggie forever.

An edge-of-your-seat thriller that delves deep into the heart of one family, The Last One at the Wedding is a work of brilliant suspense from a true modern master.

From Edgar Award-finalist Jason Rekulak comes a wildly inventive spin on the supernatural thriller, for fans of Stranger Things and Riley Sager, about a woman working as a nanny for a young boy with strange and disturbing secrets.

Mallory Quinn is fresh out of rehab when she takes a job as a babysitter for Ted and Caroline Maxwell. She is to look after their five-year-old son, Teddy.

Mallory immediately loves it. She has her own living space, goes out for nightly runs, and has the stability she craves. And she sincerely bonds with Teddy, a sweet, shy boy who is never without his sketchbook and pencil. His drawings are the usual fare: trees, rabbits, balloons. But one day, he draws something different: a man in a forest, dragging a woman's lifeless body.

Then, Teddy's artwork becomes increasingly sinister, and his stick figures quickly evolve into lifelike sketches well beyond the ability of any five-year-old. Mallory begins to wonder if these are glimpses of a long-unsolved murder, perhaps relayed by a supernatural force.

Knowing just how crazy it all sounds, Mallory nevertheless sets out to decipher the images and save Teddy before it's too late.